Spectrum Ivory

Visualizer

Gradient palette

Ready-made background gradient; pick Your Own to choose your own colours.

DuskLagoonPlumYour Own

Sky colour

Ground colour

Left light

The colour of the soft glow for the left side of the background.

Right light

The colour of the soft glow for the right side of the background.

Gradient drift

How fast the background gradient go slide and fold. Zero go hold am still.

Background brightness

Bokeh lights

How bright the soft out-of-focus lights for the background be. Zero go remove dem.

Bottom darkening

E go darken the frame below the spectrum. Zero go leave am untouched.

Spectrum colour

The colour of the bars; pick Your Own to choose your own one.

IvoryWhiteGoldCyanMagentaMintCoralYour Own

Your Own spectrum colour

Spectrum arrangement

How the two halves dey lay out: the same picture repeat, or mirrored with the bass for the outer ends or for the middle.

RepeatedBass ComotBass Enter

Bars per side

Spectrum width

Centre gap

The space between the two halves of the spectrum, where the cover dey sit.

Up-down position

E go move the whole visualizer up or down the frame.

Bar thickness

Peak height

Spectrum gain

Overall height of the spectrum — turn am up for quiet tracks, down if the bars dey keep hit the top.

Noise floor

The level wey quiet bands go ignore below am — raise am to keep hiss and room noise from showing.

Peak contrast

How much the loudest bands go stand out from the rest — higher go make peaks sharper and quiet bands lower.

Attack

How fast the visualizer go respond when the sound louder well.

Release

How fast the visualizer go settle after the sound drop.

Liveliness

E go add small wobble to the bars so steady tone still go look alive.

Transient accent

Extra height and brightness for sudden hits, so drum strikes go stand out.

Glow

The tight halo of light right for the bars, drawn together with the spectrum. Higher go widen am.

Bloom

How far the light from the bright parts go spill out over the rest of the frame. Zero go leave the light only where the glow put am.

Grain

E go add fine film-like noise over the frame for texture, less digital look.

Artwork

Cover artwork

Artwork darkening

E go darken the artwork so the visualizer go stand out well against am.

Cover size

Artwork sideways position

E go slide the artwork left or right; you fit also drag am for the preview.

Artwork up-down position

E go slide the artwork up or down; you fit also drag am for the preview.

Cover corner radius

Background

Background photo

Background video

Background darkening

E go darken the background photo or video so the visualizer and text go stay readable.

Background blur

E go soften the background photo or video so e go read as backdrop, no be the main subject.

Background Effects

Effects for your photo or video backdrop, every template dey share dem.

Zoom Pull

Na how much the background photo or video go zoom enter anytime bass hit. Zero go keep am for one size.

Waka

How far the background photo or video go waka round the frame as the track dey play. Zero go hold am still.

Camera Shake-Shake

Short camera shake-shake for every kick — small vibration with light roll — plus low rumble wey follow the level. Zero go hold the camera steady.

Ripple Blast

Ripple rings dey spread comot from the centre anytime kick drop, e go warp the picture as e dey pass. Zero mean e no go ever fire.

Lens

Lens go bulge anytime kick drop, plus colour fringe for the outer frame wey dey grow as the level rise.

Zoom Streak

Streaks go shoot comot from the centre anytime kick drop, as if the camera rush enter. Zero mean e no go ever streak.

Glow Swell

Soft bloom dey surround the bright part of the picture, e go swell anytime kick drop.

Light Patches

Warm patches of light dey drift small-small over the picture, e go brighten well well as the music loud pass — na film look be dis.

Light Rays

Light rays wey dey come from the top-left corner, dark parts of the picture dey block am, e go bright with the music and flash for kicks. Zero off am.

Light Sweep

Soft slanted light go cross the picture once every bar — or for strong kick, once in some seconds, if the track never get analysis. Zero off am.

Lens Flare

Long flat lines of bluish light go stretch comot from the brightest parts of the picture for the kicks, and stay small in between. Zero off am.

Fog

Mist wey dey drift slow for top the picture, e thick pass for down and e dey breathe small with the music. Zero go keep the air clear.

Particle Layer

Layer of particles dey drift for top the picture, e dey brighten with the music.

OffDustBokehSnowSparksRainFirefliesConfettiBubblesStars

Particle Level

How many particles go fill the frame.

Rain For Glass

Rain drops for glass wey dey front the picture: small beads and big drops wey dey slide down and bend the picture. Zero go keep the glass dry.

Echo

The previous frame go linger, e small bigger pass, so motion go leave trail and the kicks go pull you enter tunnel.

Neon Outline

The picture own outlines dey trace for cycling neon colours, e go bright well well for the kicks.

Glitch

Digital burst for the kicks: sliced rows go jump sideways, blocks go freeze and the colour channels go split. Zero mean e no go ever fire.

Pixel Blocks

The picture go scatter into square blocks for the kicks and clear back inside quarter second. Zero go keep am sharp.

Beat Swell

The picture dey breathe follow the music, e go swell and glow small before every beat so e go land well. E need the track analysis.

3D Tilt

E go tilt the picture like card for 3D, e go sway small-small follow the music and nod for the kicks, with light wey follow the turn. Zero go keep am face-on.

Liquid

The picture go ripple like liquid surface, e go strong pass as the music loud well. Zero go keep am flat.

Flash

Short flash go show near white for the strongest kicks, no pass two times for one second. Zero mean e no go ever flash.

Old VHS

Tape look: small wobble, colour bleed, scan lines, noise and a tracking band wey dey roll through for the beat.

Old Movie

Projector look: flicker, hair scratches, dust, small weave and sepia lean.

Background Grain

E go add fine film-like noise for top the frame make e get texture, less digital look.

Colour Grade

Colour treatment for the whole picture — and the colours of the built-in background when you no set any photo or video.

NaturalWarmCoolMonoFaded

Two-Colour

E go turn the picture light and shadow to two colours, dark to light. Your Own go use the two colours wey you pick below.

OffMidnightSunsetForestGoldRoseYour Own

Two-Colour Dark

The colour wey the darkest parts of the picture go turn.

Two-Colour Light

The colour wey the brightest parts of the picture go turn.

Movement Follow

Wetin camera moves dey follow — zoom pull, shake, tilt, ripple blast, lens, zoom streak, liquid, depth, subject bounce and focus. One stem need the track stems.

Full MixDrumsBassVocals

Light Follow

Wetin the light dey follow — glow, flash, light patches, rays, sweep, lens flare, fog, vignette, spotlight, rim glow and colour steps. One stem need the track stems.

Full MixDrumsBassVocals

Texture Follow

Wetin the texture effects dey follow — glitch, pixel blocks, VHS, echo, neon outline, particles, rain for glass and subject ghost trail. One stem need the track stems.

Full MixDrumsBassVocals

Drop

The picture go tighten, dim and lose colour for the bars before a drop, then e go burst open for am. E need the track analysis.

Follow The Song

E go react small for the quiet parts of the song and big for the loud parts, e go change smooth. E need the track analysis.

Colour Drift

The colours go cycle small-small round the hue wheel and take one step for every kick. Zero go keep dem as dem be.

Depth Sway

E go sway the near part of the photo pass the far ones, and e go swell dem for the kicks, so flat picture go get depth. E need the photo depth map: e off until e ready, and for video.

Focus Pull

E go blur by depth like lens: for rest, the near part sharp and the far part soft, and the focus go pull go the background come back for the kicks. E need the photo depth map; e off until e ready.

Depth Haze

Pale haze dey cover the far part of the picture, e dey breathe follow the music, so the near part go stand out well. E need the photo depth map; e off until e ready.

Sharp Subject Only

E go keep the photo subject untouch while blur, glow, echo, tape, grade and grain dey touch only the background. E need the photo subject map; e off until e ready.

Subject Rim Glow

Neon rim of light go hug the photo subject, with soft halo behind am, e go flare for the kicks. E need the photo subject map; e off until e ready, and for video.

Subject Ghost Trail

Pale copies of the subject go linger and drift comot with the music while the background dey stay put. E need the photo subject map; e off until e ready, and for video.

Subject Bounce

The photo subject go swell towards the viewer for the kicks while the background dey hold still. E need the photo subject map; e off until e ready, and for video.

Subject Light

E go darken the picture round the subject, like spotlight wey dey follow am and breathe follow the music. E need the photo subject map; e off until e ready, and for video.

Beat Match

E go land the stepping effects — the kaleidoscope, the hue drift and the shockwave rings — for the beat or the bar instead of every bass hit. E need the track analysis.

OffBeat by BeatBar by Bar

Focus Swell

The picture go soften and dim as the music settle, then e go snap sharp and bright for the hits. Zero go keep am steady.

Vignette Swell

Mirror

E go fold the picture enter mirrored copies. The kaleidoscope go turn small-small and step for the kicks.

OffLeft and RightFour SidesKaleidoscope

Particles Pass Behind Subject

E go spread the particles through the scene depth, so some go pass behind the photo subject. E need the photo depth map; e off until e ready, and for video.

NoYes