
Arc Tunnel
Neon tunnel wey you dey fly inside face-to-face: rings of shining arcs, each one na snapshot of the bass, dey rush come meet you from the far end, where your cover sit for disc wey live spectrum surround. Strong beats dey flash every fifth ring and light soft flare for top — After Effects visualizer, matched to the original.
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Watch Demo Videos
Every demo na real render of dis template. Start from one make you get exactly dis look.
No demo video yet — try the template with your own track.
About dis template
The Shape and Layout
A tunnel wey you dey see straight down im middle: eighteen rings, about 320 px for the far end, dey grow till dem comot from the frame, between purple wall bands wey dey pass. Each ring cut into arcs with one round dot for every arc end, the same left and right. For the middle na round cover about 220 px with dark edge, with thin spectrum line and thick shining ring round am.
Motion
New ring dey born every 0.16 s for the far end and e go fly reach the camera under three seconds, e go keep the shape of the bass wey dey when e born: arcs go light where the 30–130 Hz band loud, gap go dey where e quiet. The line round the cover and the thick middle ring dey follow the music live. The camera dey float, dey sway small small and dey shake for the bass.
The Look and Colour
Neon arcs for the preset colours with white-hot dots, every fifth ring dey flash for strong bass, soft glow over the tunnel, depth-of-field blur for the rings wey near pass, vignette, flare for top wey dey shine more for the bass and small chromatic aberration. Eleven presets from the original, or your own colours; photo or video fit replace the tunnel walls.
Wetin you fit customize
Every setting below na yours to change for the editor, the live preview go update as the track dey play.
Visualizer
- Colour preset
- Ready-made colours for the rings, dots, middle and tunnel; Orchid na the original look. Pick Custom to choose your own.
- OrchidCyanMagentaDuskEmeraldYellowVioletGoldCrimsonIndigoMonoYour Own
- Ring colour
- Dot colour
- Middle ring colour
- Flash colour
- Tunnel colour
- Middle glow colour
- Line thickness
- How thick the rings arcs, their dots and the middle ring be.
- Audio response level
- How strong the visualizer go move follow the music — lower for calmer motion, higher for punchier response.
- Camera movement
- How far the camera go float, sway and tilt as e dey fly inside the tunnel. Zero go hold am still.
- Bass shake
- How hard the camera go shake for the bass. Zero go keep am steady.
- Flare
- The soft flare for the top of the frame wey dey follow the camera and dey shine more for the bass.
- OnOff
- Colour split
- E dey pull red, green and blue comot from each other near the edge of the frame, like old lens. Zero go keep the colours together.
- Depth of field
- How blur the rings wey near the camera pass be. Zero go keep the whole tunnel sharp.
Artwork
- Artwork image
- Your cover, inside the round disc for the far end of the tunnel. Without am, the disc go stay dark for the preset colours.
Background
- Background photo
- Background video
- Background darkening
- E go darken the background photo or video so the visualizer and text go stay readable.
- Background blur
- E go soften the background photo or video so e go read as backdrop, no be the main subject.
Background Effects
Effects for your photo or video backdrop, every template dey share dem.
- Zoom Pull
- Na how much the background photo or video go zoom enter anytime bass hit. Zero go keep am for one size.
- Waka
- How far the background photo or video go waka round the frame as the track dey play. Zero go hold am still.
- Camera Shake-Shake
- Short camera shake-shake for every kick — small vibration with light roll — plus low rumble wey follow the level. Zero go hold the camera steady.
- Camera Sway
- The whole scene go dey sway slow and smooth — visualizer, background and particles — each layer im own amount. E go zoom enter small so corners no show. Zero go hold am still.
- Layer Parallax
- How different the layers go move as the camera dey sway: the background go move pass small, the particles go move pass. Zero go move the whole scene as one.
- Ripple Blast
- Ripple rings dey spread comot from the centre anytime kick drop, e go warp the picture as e dey pass. Zero mean e no go ever fire.
- Lens
- Lens go bulge anytime kick drop, plus colour fringe for the outer frame wey dey grow as the level rise.
- Zoom Streak
- Streaks go shoot comot from the centre anytime kick drop, as if the camera rush enter. Zero mean e no go ever streak.
- Glow Swell
- Soft bloom dey surround the bright part of the picture, e go swell anytime kick drop.
- Light Patches
- Warm patches of light dey drift small-small over the picture, e go brighten well well as the music loud pass — na film look be dis.
- Light Rays
- Light rays wey dey come from the top-left corner, dark parts of the picture dey block am, e go bright with the music and flash for kicks. Zero off am.
- Light Sweep
- Soft slanted light go cross the picture once every bar — or for strong kick, once in some seconds, if the track never get analysis. Zero off am.
- Lens Flare
- Long flat lines of bluish light go stretch comot from the brightest parts of the picture for the kicks, and stay small in between. Zero off am.
- Fog
- Mist wey dey drift slow for top the picture, e thick pass for down and e dey breathe small with the music. Zero go keep the air clear.
- Particle Layer
- Layer of particles dey drift for top the picture, e dey brighten with the music.
- OffDustBokehSnowSparksRainFirefliesConfettiBubblesStarsDriftGlow OrbsComets
- Particle Level
- How many particles go fill the frame.
- Rain For Glass
- Rain drops for glass wey dey front the picture: small beads and big drops wey dey slide down and bend the picture. Zero go keep the glass dry.
- Echo
- The previous frame go linger, e small bigger pass, so motion go leave trail and the kicks go pull you enter tunnel.
- Neon Outline
- The picture own outlines dey trace for cycling neon colours, e go bright well well for the kicks.
- Glitch
- Digital burst for the kicks: sliced rows go jump sideways, blocks go freeze and the colour channels go split. Zero mean e no go ever fire.
- Pixel Blocks
- The picture go scatter into square blocks for the kicks and clear back inside quarter second. Zero go keep am sharp.
- Beat Swell
- The picture dey breathe follow the music, e go swell and glow small before every beat so e go land well. E need the track analysis.
- 3D Tilt
- E go tilt the picture like card for 3D, e go sway small-small follow the music and nod for the kicks, with light wey follow the turn. Zero go keep am face-on.
- Liquid
- The picture go ripple like liquid surface, e go strong pass as the music loud well. Zero go keep am flat.
- Flash
- Short flash go show near white for the strongest kicks, no pass two times for one second. Zero mean e no go ever flash.
- Old VHS
- Tape look: small wobble, colour bleed, scan lines, noise and a tracking band wey dey roll through for the beat.
- Old Movie
- Projector look: flicker, hair scratches, dust, small weave and sepia lean.
- Background Grain
- E go add fine film-like noise for top the frame make e get texture, less digital look.
- Grunge Layer
- Worn texture for top the picture, e dey redraw plenty times every second like film print wey don spoil.
- OffCracksWire NetTape LinesToner SmearPeeling Paint
- Grunge Level
- How strong the texture go show for top the picture.
- Grunge Colour
- The colour of the grunge texture. Light colours dey brighten the picture where the texture dey and ink black dey darken am; or pick your own.
- Acid LimeWhiteInk BlackRedOrangeCyanMagentaYour Own
- Custom Grunge Colour
- Your own colour for the grunge texture.
- Dirty Lens
- E dey blur the picture for patches wey resemble dirt, dem dey shift plenty times every second like say na dirty glass you take shoot am, and e dey darken the edges.
- Colour Grade
- Colour treatment for the whole picture — and the colours of the built-in background when you no set any photo or video.
- NaturalWarmCoolMonoFaded
- Two-Colour
- E go turn the picture light and shadow to two colours, dark to light. Your Own go use the two colours wey you pick below.
- OffMidnightSunsetForestGoldRoseYour Own
- Two-Colour Dark
- The colour wey the darkest parts of the picture go turn.
- Two-Colour Light
- The colour wey the brightest parts of the picture go turn.
- Movement Follow
- Wetin camera moves dey follow — zoom pull, shake, tilt, ripple blast, lens, zoom streak, liquid, depth, subject bounce and focus. One stem need the track stems.
- Full MixDrumsBassVocals
- Light Follow
- Wetin the light dey follow — glow, flash, light patches, rays, sweep, lens flare, fog, vignette, spotlight, rim glow and colour steps. One stem need the track stems.
- Full MixDrumsBassVocals
- Texture Follow
- Wetin the texture effects dey follow — glitch, pixel blocks, VHS, echo, neon outline, particles, rain for glass and subject ghost trail. One stem need the track stems.
- Full MixDrumsBassVocals
- Drop
- The last beat before a drop go dark, then the drop go land with flash, zoom punch, colour split and glitch, and the picture go dey livelier for some bars. E need the track analysis.
- Follow The Song
- E go react small for the quiet parts of the song and big for the loud parts, e go change smooth. E need the track analysis.
- Colour Drift
- The colours go cycle small-small round the hue wheel and take one step for every kick. Zero go keep dem as dem be.
- Depth Sway
- E go sway the near part of the photo pass the far ones, and e go swell dem for the kicks, so flat picture go get depth. E need the photo depth map: e off until e ready, and for video.
- Focus Pull
- E go blur by depth like lens: for rest, the near part sharp and the far part soft, and the focus go pull go the background come back for the kicks. E need the photo depth map; e off until e ready.
- Depth Haze
- Pale haze dey cover the far part of the picture, e dey breathe follow the music, so the near part go stand out well. E need the photo depth map; e off until e ready.
- Sharp Subject Only
- E go keep the photo subject untouch while blur, glow, echo, tape, grade and grain dey touch only the background. E need the photo subject map; e off until e ready.
- Subject Rim Glow
- Neon rim of light go hug the photo subject, with soft halo behind am, e go flare for the kicks. E need the photo subject map; e off until e ready, and for video.
- Subject Ghost Trail
- Pale copies of the subject go linger and drift comot with the music while the background dey stay put. E need the photo subject map; e off until e ready, and for video.
- Subject Bounce
- The photo subject go swell towards the viewer for the kicks while the background dey hold still. E need the photo subject map; e off until e ready, and for video.
- Subject Light
- E go darken the picture round the subject, like spotlight wey dey follow am and breathe follow the music. E need the photo subject map; e off until e ready, and for video.
- Beat Match
- E go land the stepping effects — the kaleidoscope, the hue drift and the shockwave rings — for the beat or the bar instead of every bass hit. E need the track analysis.
- OffBeat by BeatBar by Bar
- Focus Swell
- The picture go soften and dim as the music settle, then e go snap sharp and bright for the hits. Zero go keep am steady.
- Vignette Swell
- Mirror
- E go fold the picture enter mirrored copies. The kaleidoscope go turn small-small and step for the kicks.
- OffLeft and RightFour SidesKaleidoscope
- Particles Pass Behind Subject
- E go spread the particles through the scene depth, so some go pass behind the photo subject. E need the photo depth map; e off until e ready, and for video.
- NoYes